Australian Larrikins??

A country famed for its plain-speaking, celebrated by DH Lawrence as a place where ‘nobody is supposed to rule, and nobody does rule’, is being choked by a new conformism. 


The birthplace of larrikinism has become a place where radical youth dream of burning newspapers. It’s the latest outpost of the offence-policing mania that has gripped the West. The rallying cry of the larrikin — say what you think, however you like — has been replaced by the deathly decree of the new censorious set: ‘You can’t say that!’


I knew things had changed after my appearance on Q&A on 17 August, just 48 hours after I arrived, with five bottles of beer in me and gay-bloody-marriage on the agenda. I said religious people must be free to oppose gay marriage without suffering expulsion from polite society, the loss of their jobs, or the life-ruining brand of ‘homophobe’. 


For saying this, I was called a bigot, naturally. And a c–t (not a compliment this time). And so irritating that ‘mosquitoes must find [me] annoying’ (Sydney Morning Herald). Whatever. I’m London-Irish: we say worse than that to each other before breakfast most days.


In a very short time, ordinary Aussies have become moral lepers in their own nation, their views — on marriage, coal, whatever — no longer fit for expression.


 And this has been done, not with force, but through the informal imposition of a new conformism.


 What a topsy-turvy situation Down Under finds itself in: the supposed progressives are the new wowsers, and the country folk and traditionally minded have become larrikins, by default. I say to these default larrikins: behave like larrikins. Blaspheme against the new elite. Smash their diktats. Remind them that they don’t rule Oz; nobody does.


BRENDAN O'NEILL

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 In the three weeks I’ve been here this time, a magazine for teen lads has been taken off shop shelves because its tits and gags offended a few noisy Twitterfems. 
A newspaper columnist — the biting, insightful Mark Latham — lost his column after a truly unholy marriage of well-fed feminists and fat cats (Westpac) bombarded his editor with complaints. 
An American rapper, Tyler the Creator, cancelled his tour after a mob of the ostentatiously outraged campaigned to have his visa revoked because his lyrics are anti-women. 
A traditional gay-marriage campaigner, Katy Faust, who appeared on Q&A with me, had every barb in the book hurled at her and was told by Sam Dastyari that she’s ‘entitled to have different views’ (how generous) but ‘this evangelical claptrap is the last thing we need in the debate’ — in short, you can oppose gay marriage in your head, just don’t express it with your mouth.
 And students at the University of Sydney, during a debate on PC, told me that ‘Everyone can say what they like, but there will be consequences’ — the motto of the barbarians who shot up Charlie Hebdo — 
and then proceeded to rip up the Uni’s right-wing student newspaper in response to my suggestion that nothing should be banned but rather should be debated. 

BRENDAN O'NEIL

As a libertarian and controversialist and passionate defender of free speech he has been called many things: “one of Britain’s sharpest social commentators” by The Daily Telegraph, a “libertarian ideologue” by The Independent, a “Marxist proletarian firebrand” by The Guardian, a “loony lefty hack” by the British National Party, “exceptionally ignorant” by Melanie Phillips, an “angry little boy” by English PEN, and a “smug shite” by Peter Tatchell.

wiki

About Brendan O'NEIL a Larikin .. 

THE man who breathed cinematic life into the Aussie larrikin and took him on to the international stage believes our famous cultural stereotype is dying a slow death, strangled by a new breed of inner-city conformists.

 

Paul Hogan, who gave the world Crocodile Dundee, has suggested that unique Australian spirit spawned by 18th century convicts is being smothered by a bland, cosmopolitan Australia.

Speaking to reporters in Melbourne as he announced new comedy shows at The Palms at Crown, Hogan suggested our best-recognised national identity, refined over the past two centuries by writers such as C.J. Dennis and politicians like Bob Hawke, is fading into history’s rear view mirror.

http://www.couriermail.com.au/news/queensland/paul-hogan-says-australian-cultural-stereotype-is-dying-slow-death/story-fnn8dlfs-1227386323731

Is mark Larham the last of Aussie Larrikins ?

Maybe not , now we have Malcolm .. Hang on for the ride ...

paul hogan is certainly not funny,     couldnt laugh at him when he was on A,C,A,    nothings changed,     he is not a funny man,    he IS pompous,   big headed,    but not funny, 

Paul Hogan was an ex. Sydney Harbour Bridge painter! Comedy "not funny" IMO  - went to the U.S. - made his "fortune" there -  slagged his Aussie wife in just about every mag. here in OZ .(and made thousands of dollars doing it) .. - married some "actress" Linda Kawalski (was it?) half his age ....had a wonderful zippy doo doo life in L.A. - when Linda divorced him - he lost everything!  Everything!!!

No money left in the U.S. - he comes running back to Oz - tail between his legs and starts doing "stand up comedy" in hicksville places in front of drunken "bogans" - it's called "karma" - karma!!! .............what goes around - comes around!  I always disliked him - can't you tell? 

Bet his ex. Noleen (was she?)  is laughing now ..........if not I'll laugh for her - lol lol lol ...................he is now well past his "Use By" date!  Never could tell a decent joke - and ended up being a BIG one!!!    :-)

cats and Foxy,

Agreed.  I also feel that the face-lift he had was a very bad decision.  

Being a larrikin and being metro man are opposites .,

MOST Australians think it's important to hang on to our "larrikin" nature but more than a third think we have already lost that spirit.

And Aussies have nominated Crocodile Dundee star Paul Hogan as the man who best embodies the modern-day larrikin.

A national survey conducted for News Ltd shows that 60 per cent of people thought it would be a bad thing if our larrikin nature disappeared.

But 36 per cent of respondents thought the concept had already gone.

Apart from Hogan, other popular "larrikins" nominated by those surveyed included cricket legend Shane Warne and radio and TV personalities Hamish and Andy.

Another actor, Hugh Jackman came in second on the list, after Hogan.

Former prime minister Bob Hawke, who at age 82 last year skulled a beer to cheers from an SCG crowd, was also given a nod.

 

Jackman, who spoke to News Ltd from the set of upcoming film Prisoners in Atlanta, Georgia, said anyone who was "cheeky and irreverent" would fit the bill as a larrikin.

"Even those in authority can't help but smile, even when they are crossing the line," he said.

"Larrikins make you laugh in situations when you are not meant to, they naturally see the lighter side of life."

The star of Les Miserables and the X-Men franchise said that spirit "can't be manufactured" and approved of 'Hoges being Australians' choice.

"I can say for sure after hanging with Hoges at the G'day USA Gala last Saturday night, that he is rightly number one on this list," he said.

"My favourite line from the other night: 'Jackman, if you happen to win on Sunday for best actor, don't get too carried away with yourself  - I won one too!!'."

Dr Tony Moore, director of Monash University's Centre for Australian Studies, said increasing political correctness had altered the prevalence of the larrikin.

He said Barry Humphries, who was also mentioned as a larrikin by people surveyed by News Ltd, had used the concept, as well as the "ocker" image, to great effect  - as did Bob Hawke.

"There has been a patriotic correctness and political correctness that holds people to account for what they say a lot more (today)," he said.

"It's created a risk averse culture. The things Bob Hawke got away with saying... it used to be easier in Australia to get away with that sort of thing."

He said politicians were now a lot more rehearsed and controlled, which fed into people's perceptions on larrikinism.


http://www.theaustralian.com.au/news/we-all-love-a-larrikin-but-fear-they-are-on-the-way-out/story-e6frg6n6-1226557792821

Pete,

The Australian characters, larrikans if you like, are a dying breed, if not already gone.

There were many amongst the individuals I came across back aways, even in the cities.

We appear to have skipped a generation, maybe two, possiblty there will be a revival amongst the young, I hope so.

The short story project I am working on part time encapsulates the breed or at least tries to.

Take it easy.

SD

The Larrikan nature has disappeared with Political Correctness of  Multiculturism through elimination and denigration of Australian accomplishments whilst inventing and elevating minorities.

 

Abbs Australia was always a conservative intolerant society suburban society our Rebels  had to go to the UK to be appreciated where they celebrate eccentrics . 

Barry Humpries has made a career out of holding up for satire the Norms and Edna Everidge . 

I can see why women would not like The Australian Larrikins as its Male concept of Australian blokeiness...

Pete,

Not too sure you have that right.

Australians in total cannot be defined as such.

Sounds like an expatriate Poms view of Oz society.

Hand in your RMs and return from whence you came. :-)

SD

IN the late 1950s many clever Australians enthusiastically left for Europe by the joyous boatload, catching the return voyage of the ships bringing tens of thousands of Greek, Italian and British immigrants to these shores. London became the destination for young Australian adventurers in the early 60s, all of them haunted by, and in pursuit of, the dream of what painter Robert Jacks called “something else”. Germaine Greer, her early life in late 50s Melbourne dominated by the desire to escape, wrote of riding her bicycle to Port Melbourne “to stand watching the streamers breaking as lucky people sailed away”.

If life seemed to be a party that was happening elsewhere, we were pretty certain that by the time the invitations arrived down under it would all be over. Those vast ocean liners going off into the sunset, trailing their festive streamers, looked highly inviting as the anxieties of the period expressed themselves at home in increasing levels of alienation, gloom, boredom and conformity.

Brilliant Creatures: Germaine, Clive, Barry and Bob, a quite beautiful new two-part series from documentarian Paul Clarke, shows how four of those young people, including Greer along with Clive James, Barry Humphries and Robert ­Hughes — all cultural iconoclasts at home (Thomas Keneally calls them our “brilliant children”) — left to conquer London and New York.

James says he was in fact banned from Australia because he dared criticise our greatest cultural monument in print. “I used to think the Opera House didn’t have what it took to be a symbol of Sydney,” he says, now frail but as incisive as ever. “I thought it looked like a portable typewriter full of oyster shells after an office party.” A still defiant Greer says, simply: “I did believe in the great Australian ugliness.”

What makes this series so different from other expatriate docos is that it’s authored and presented by Man Booker Prize winner, the loquacious and vastly amusing Howard Jacobson. Hirsute and rather tweedy, he long has been regarded in Britain as a Jewish literary treasure and contentiously visible on radio and television there. Once asked to define the nature of Jewish intelligence, he said: “It’s an over-commitment to disputatiousness, the love of an argument, the love of exaggeration.” And it’s on beguiling display here; like his four subjects, he is a self-described “critic of language”, stinging, wonderfully insolent and engagingly elegiac in tone. He also has what we call the gift of the gab.

My favourite gem is when Jacobson walks by the placid waters of Port Phillip Bay in Sandringham, where Greer grew up, and says, “It exudes a dreamy melancholy, as if it’s always Sunday morning.” And, both writer and presenter, he elicits some wonderful turns of phrase from his celebrated subjects as well as their friends and admirers such as Kathy Lette, Melvyn Bragg, Phillip Adams, Bruce Beresford, Rachel Griffiths, Eric Idle and Keneally.

http://www.theaustralian.com.au/arts/review/brilliant-creatures-documents-exodus-of-australias-intellectuals/story-fn9n8gph-1227054311283

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